By William Inge
The play takes place on Labor Day weekend in the joint backyards of two middle-aged widows. The one house belongs to Flo Owens, who lives there with her two maturing daughters, Madge and Millie, and a boarder who is a spinster school teacher. The other house belongs to Helen Potts, who lives with her elderly and invalid mother. Into this female atmosphere comes a young man named Hal Carter, whose animal vitality seriously upsets the entire group. Hal is a most interesting character, a child of parents who ignored him, self-conscious of his failings and his position behind the eight ball. Flo is sensitively wary of temptations for her daughters. Madge, bored with being only a beauty, sacrifices her chances for a wealthy marriage for the excitement Hal promises. Her sister, Millie, finds her balance for the first time through the stranger's brief attention. And the spinster is stirred to make an issue out of the dangling courtship that has brightened her life in a dreary, minor way.
| Helen Potts | Sue Welch |
| Hal Carter | Jim Bailey |
| Millie Owens | Phyllis Parmenter |
| Bomber | Terry Miers |
| Madge Owens | Suzanne Birch |
| Flo Owens | Marianne Ries |
| Rosemary Sydney | Cheryl Fruits |
| Alan Seymour | Art Morgan |
| Irma Kronkite | Dorothy Dobbs |
| Christine Schoenwalder | Pat Johnson |
| Howard Bevans | Wayne Cherveny |
| Women's Voice | Jane Lamb |
| Boys' Voices | David Andreas, Kevin Cherveny, Eric Andreas |
| Ernie Higgins | Dick Brummett |
| Saxophone | Terry Montanden, Marsha Pearce, Mike Wyckoff, Connie Long, Steve Barker, Sonia Nelson |
| Trombone | Steve Wood, Larry Green, Terry weaver, Stan Reimer |
| Trumpet | Trudy Weaver, Mike Blakey, Chris Kaufman |
| Piano | Teresa Hassard |
| Bass | Dr. George Hassard |
| Drums | Martin Heffner |
| Director | Arden Andreas |
| Stage Manager | Errol Lambert |
| Assistant to the Director | Sue Platt |
| Set Design and Construction | Yvonne Eckert |
| Crew | Errol Lambert, Fred Boggs, Bruce Rogers, Preston Richardson, Roy Kempf, Don Webb, Warren Andreas, Tom Herlocker, Gil Gentry, George Markel, John Eckert, Dave Eckert, Ralpha Crow, Mary Beth Dietrich, Dorothy Richardson, Judy Gentry, Charlotte Gropper |
| Properties | Gennie Thomas*, Martha Jeanne Liermann, Joan Kaufman, Sheila Ferris, Margaret Archer, Eleanor Grove |
| Costumes | Jo Boggs*, Mary Brummett, Sally Lambert, Bobbie Schwensen, Pat Sisson, Kathryn Workman |
| Lights | Don Gibson |
| Sound | Don Webb, Bill Wilber, Sr. |
| Make-up | Veda Rogers*, Jane Lamb, Coleen Wall, Lois Hiebert, Sue Platt, Pat Jenkins |
| Publicity | George Markel*, Jim Butler, Eleanor Richardson, Maurine Hogue |
| Program | Loyette Olson |
| Tickets | Claire Graham, Betty Wilson |
| House Manager | Marguerite Flick, Leoti Newland |
| Concession Stand Design | Marilyn Albright, Eleanor Richardson |
| Concessions | Frances Platt*, Martie King, Margaret Archer, Judy Barbour, Marcie Clester, Keven Cherveny, David Andreas, Jean Warren |
| Marquess Design | Fred Boggs |
| Ushers | Jane Lee Clift*, Robbin Ferris, Shawn Emerson, Jane Wakefield, Jill Sweetland, Ellen Sisson, Karen King, Carol Ann Wright, Kathleen Cole, Bonnie Bergdall, Beverly Olson, Kate Ries, Joan St. Peter |
* Denotes Chairperson