By Leonard Gershe
When you're a young bachelor in your own apartment for the first time, even if it's a cramped cold water flat, you know what exhilaration is. If a pretty actress moves into the next apartment, you've got an even better beginning. Don has it better yet: the actress has proposed friendship and the removal of the connecting door. Well into the play, the audience and the actress discover that Don is blind. He is escaping from an overprotective mother and trying to learn if he has the talent to become a song writer. When mother and the girl meet, and the two simply do not mix. Mother breaks up the relationship and the actress packs herself off to live with a director. When mother realizes how she has demoralized her son, and wishes the other woman was back. In comedy wishes can come true.
| Don Baker | Steve Hobus |
| Jill Tanner | Judy Kadau |
| Mrs. Baker | Ginny Evans |
| Ralph Austin | Chet Sweet |
| Director | Dejon Ewing |
| Assistant Director | Ann Durbin |
| Set Design | Greg White |
| Set Construction | Greg White, Ron Calvin, Janet Calvin, Gerald Reynolds, Maggie Nelson, Ann Durbin, Judy Kadau |
| Props | Loree Simpson, Melanie Eslick, Judy Kadau, Chet Sweet, Ann Durbin, Greg White |
| Lighting | Don Himpel, Debbie King |
| Costumes | Loretta King, Loree Simpson, Maggie Bicker, Liz Frazier |
| Sound | Greg Teachman |
| Publicity | Jeanette Nichols, Bob Cox, Greg White, Dennis Clover |
| Programs | Melanie Eslick, Ann Durbin |
| House Management | Mary Jarvis |